They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. “But you still loved her, didn’t you, Dad?” she asked. “I was very little at the time, but I can just remember. You seemed so happy together. Till her illness came.”!

It seemed to just fit in. She would run down and spend a few quiet days at Liverpool. In her old familiar room where the moon peeped in over the tops of the tall pines she would be able to reason things out. Perhaps her father would be able to help her. She had lost her childish conception of him as of someone prim and proper, with cut and dried formulas for all occasions. That glimpse he had shown her of himself had established a fellowship between them. He, too, had wrestled with life’s riddles, not sure of his own answers. She found him suffering from his old heart trouble, but more cheerful than she had known him for years. Arthur seemed to be doing wonders with the men. They were coming to trust him. But even that did not help her. It seemed in some mysterious way to be no longer her room, but the room of someone she had known and half forgotten: who would never come back. It gave her the same feeling she had experienced on returning to the house in London: that the place was haunted. The high cheval glass from her mother’s dressing-room had been brought there for her use. The picture of an absurdly small child—the child to whom this room had once belonged—standing before it naked, rose before her eyes. She had wanted to see herself. She had thought that only her clothes stood in the way. If we could but see ourselves, as in some magic mirror? All the garments usage and education has dressed us up in laid aside. What was she underneath her artificial niceties, her prim moralities, her laboriously acquired restraints, her unconscious pretences and hypocrisies? She changed her clothes for a loose robe, and putting out the light drew back the curtains. The moon peeped in over the top of the tall pines, but it only stared at her, indifferent. It seemed to be looking for somebody else.

“I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.” “He will come this afternoon, I fancy,” said Mrs. Phillips. “I seem to feel it. He will be able to see you home.” “I wish you would come oftener,” he said. “Mary has taken such a liking to you. If you care to meet people, we can always whip up somebody of interest.”